One of the highlights of the Pro Football Hall of Fame’s induction ceremony weekend, for me, is touring the Hall itself. In fact, it’s probably better to check out the Hall on a visit that doesn’t include the inductions, since the crowd for the enshrinement is large. The Saturday of the ceremony this year was rainy during the daytime, so the crowd inside the Hall was even bigger than normal. You had to be patient to get to see one of the main attractions, the gallery of Hall of Fame busts, this year. Since I’ve seen the gallery on a few occasions already, I decided to skip it this year, but there were a lot of displays that caught my eye throughout the rest of the building. That’s the thing that makes Canton a special place to me. One of the guides working there once said that at any given time they are only displaying a small percentage of the artifacts they have on hand, and because of that there is always something new to check out that you hadn’t seen before. It is truly a lively, ever-changing fluid museum that is worth the trip. Here are a few things I discovered on this most recent trip that are worth noting:
I was surprised to discover that the very first player transaction in league history involved a Buffalo franchise, the Buffalo All Americans, who acquired a tackle named Nasty Nash in 1920 from Akron for $300. I had no idea Buffalo had a pro football franchise way back then.
On display at the Hall is a football presented to Washington Redskins receiver Bobby Mitchell in 1962 for leading the league in receptions that year. The Redskins were owned at the time by a confirmed racist, George Preston Marshall, who swore he would never have a black player on his team, and only traded for Mitchell after being pressured by the government (they threatened to revoke his lease on D.C. Stadium). Although respected in the locker room (the ball presented to him was autographed by all his teammates), Mitchell wasn’t necessarily greeted with a warm welcome by the front office. He went on to complete a Hall of Fame career in Washington, and is one player who earned his bust in Canton for more than just his stellar play on the field.
This shiny new building on the Hall’s grounds is the Ralph C. Wilson Research and Preservation Center, which houses archives and artifacts for the museum and was made possible due to a donation from the late Bills’ owner. Wilson’s legacy as an NFL owner is that he always put the good of the game ahead of personal team interests, so the center is a fitting tribute to him. It wasn’t open to the public during enshrinement weekend since it was hosting private parties, but being able to tour it is a reason for a future visit.
Sections of the Hall are dotted with murals of Hall of Fame players, including large ones in the entrance, surrounding a statue of Jim Thorpe, of Jim Taylor, Dick Butkus and Bruce Smith, among others. This one caught my eye. Was Mike Ditka really ever this young?
Standing in front of a wall of paintings of former great players, from left to right, “Mean” Joe Greene, Deacon Jones, Jim Brown and the back end of Dick “Night Train” Lane.
This is an old down marker called the “boxman”. A box with four sides, numbered one through four, would swing on a dowel to mark the down. Technology for marking downs has changed some over the years, but not that much really.
When an injured Joe Namath showed up on the Jets’ bench wearing a fur coat it caused quite a stir. But how about the fancy, self-promoting sideline jacket Ernie Nevers of the Duluth Eskimos wore in the 1920s? I’ve really only scratched the surface as far as all the things there are to do inside the Hall. There are also interactive helmets that you can put on to simulate hearing a play being called in to you from the coach, artifacts and videos from all different eras of the game, a display of all the Super Bowl rings from every year that the game has been played, and the Super Bowl theater that plays NFL Films videos. It’s a can’t-miss trip for any true football fan.